Highly Recommended
Big Game - It's a bit silly at times, but this film, starring Samuel L. Jackson as the U.S. President lost in a Finnish forest, is also great fun, features a coherent story, and manages to accomplish something almost every mega-blockbuster simply disregards - character development. I enjoyed it as an adult, and I'm pretty sure I would have adored it as a kid.
Amy - As this documentary begins you are immediately reminded of what an incredible, singular talent Amy Winehouse was. Even if you don't love her music - I like it but am not a huge fan - you can't help but acknowledge her gift. The movie then deconstructs how we forgot that in a haze of tabloid press, erratic behavior, and callous indifference (both from the public and some of the people closest to her). Winehouse is humanized but never in a treacly manner. A fascinating, intimate narrative portrait of a gifted but tragically broken young woman.
Recommended
Castle of Sand - This Japanese film is mostly a fairly straight-forward crime procedural where there isn't a ton of character development and the crime isn't all that compelling. Then the movie suddenly shifts gears into this highly melodramatic drama that re-enacts all of the lifelong drama of the man who committed the crime. It's a jarring shift, but also compelling. It's not an essential film, but an interesting one.
Forbidden Planet - The story isn't terrific, but it works in the same way that a decent episode of the original Star Trek might work (though inferior to most of what The Next Generation accomplished). The effects are fun to watch - while primitive, they also work and look good for the time. This is an influential sci-fi film and worth watching for sci-fi fans, but not necessarily worth going out of your way otherwise.
The Drop - This gangster film with Tom Hardy, James Gandolfini, and Noomi Rapace doesn't have a ton worth recommending, but I'm slipping it up to this line because you can pass the time in worse ways, there's an interesting (if not entirely unpredictable) twist, and Tom Hardy delivers a mostly credible performance that helps to make the final act a bit more plausible (Hardy's weird and inconsistent accent is another story, but it's not a huge problem).
Not Recommended
Tammy - The movie has a few decent gags, but not enough to sustain the inconsistent premise and even more inconsistent tone. Writers Melissa McCarthy (also star) and Ben Falcone (also director) spend the first half of the movie painting the titular character as a disgusting, idiotic loser and fool. Then halfway through they want her to turn into, actually, just a pretty normal gal who strikes up a romance with a pretty normal, stable guy. Yes, male comedians have been asking us for years to buy the premise that beautiful people fall in love with childish losers for no reason other than they are the star of the movie, but that premise rarely works all that well, and it gets no better or fresher merely for being a female-centric take on it.
Brainstorm - A classic example of a movie that got made because everyone reacted to the concept, but no one stopped to think about creating a plot. It is boring as hell. Douglas Trumbull's idea of shooting the brainstorm sequences in a different format and aspect ratio does not rescue the fact that what happens is visually dull (not to mention nonsensical, as the movie almost immediately abandons the first person perspective in these sequences as a shortcut). The ending is supposed to be a profound moment, but I was left saying, "Is that it?"
The Swarm - There are a few unintentional laughs to be had (the giant bee hallucinations, some indifferent actors), with Michael Caine at his career peak of, "Just pay me, I don't give a fuck." But the campy laughs aren't sustained, and the filmmakers are never able to find any meaningful thrills to replace them. Perhaps the most memorable part of this film is when the Air Force General in charge of eliminating the swarm of Africanized bees just starts referring to them as "the Africans." So he starts ranting on about how the only way to solve the problem is to "get rid of all the Africans," and makes several other comments in the same vein. I have to believe that someone on the set realized what they were saying; hopefully the writer and director didn't believe that this was some form of social commentary since the movie does ultimately celebrate the eradication of those bees (spoiler!).
Draft Day - I applaud the experiement of trying to make the draft interesting as a narrative film, but ultimately the effort here fails, primarily under the weight of the film's failure to ever once achieve a sense of plausibility. Other characters have to get stupid when the main character needs a victory, so they do, conveniently and repeatedly. There's zero chemistry between Kevin Costner and Jennifer Garner, and Denis Leary never convinces as the head football coach. People run around holding their heads at Kevin Costner's character being some sort of crazy man, but I have no idea why. Costner himself is on auto-pilot.
Larry Crowne - I have to believe there's about another hour of this movie that exists somewhere. My guess is they looked at the film, realized it wasn't working, and decided to just carve it down as much as possible to just get it over with (and maybe get a few more shows in for opening weekend). The result is a character movie that feels like it is missing all of its character development scenes - everything happens because, well, it's just that time in the movie when it's supposed to happen. We're supposed to cheer for these characters but we're not given enough to even care.
Terminator: Genisys - Stick with the first two Terminator films and forget this uninspired and, at times, nonsensical, reboot.
Jurassic World - There's not a single inspired or original moment in this film. The effects do not deliver any sense of wonder, which leaves us with a mostly paint-by-numbers premise and story. I obviously don't understand why this movie has connected so well with audiences this summer. To each their own.
